13 Feb, 2024 Economics of music streaming: has there been a ‘reset’? By Laura Gray On 12 December 2023, the UK Parliament’s Culture, Media and Sport Committee held its second non-inquiry session into creator...
20 Oct, 2023 European Commission Consults on Payments for Recorded Music Played in the EU By Naji Tilley najiThe European Union (“EU”) has announced that it is consulting stakeholders in the recorded music industry on how best to apply the...
21 Jul, 2023 Don’t get played – consumers can claim refunds for games and in-game purchases where pre-purchase information is missing By Sophie Stoneham If you’re a business selling video games and in-game content to UK and EU consumers, it’s important that you understand how 14-day...
12 Jul, 2023 Better data from metadata in the UK music industry? A look behind the streams By Naji Tilley On 31 May 2023, the UK Intellectual Property office (UK IPO) published the “UK Industry Agreement on Music Streaming Metadata”. The...
13 Jun, 2023 Hand Built by Robots: AI-generated music is on the rise By Dan Breen Toby Bond The rapid development of generative artificial intelligence (AI) is causing concern among various music industry stakeholders. In the...
19 May, 2023 Communication to the transporting public? CJEU rules in Blue Air and UPFR By Naji Tilley The CJEU’s judgment in joined cases C‑775/21 and C‑826/21, Blue Air and UPFR (20 April 2023) provides the latest instalment to a...
15 Mar, 2023 The economics of music streaming inquiry By Laura Gray Jason White The CMA’s analysis of the competition law question On 29 November 2022, the Competition and Markets Authority (CMA), published its final...
31 Oct, 2022 Black History Month – music and education join forces to celebrate Black history By Intisar Abdi With Bristol band Massive Attack getting involved in Cargo Classroom, a project launched to diversify the English school curriculum,...
28 Oct, 2022 The Iberia Festival case: The Spanish Supreme Court finds infringement of a deceased artist’s image rights By David Fuentes The Supreme Court declares that the use of the deceased artist's image to advertise a music festival was an infringement of their image...
08 Apr, 2022 How Does the Ed Sheeran Case Shape UK Copyright Law? By William Wortley Following an 11-day trial in London, featuring Ed Sheeran briefly singing from the witness stand, the High Court on Wednesday handed down...
17 Feb, 2022 Justice by procedure – on platforms, best efforts and manifestly infringing content By Rebecca O'Kelley-Gillard Dr. Niels Lutzhöft, LL.M. The Commission Guidance on Article 17 of the “Directive 2019 (790/EC on Copyright in the Digital Single Market”) provides much-sought...
08 Nov, 2021 CMA to investigate the music streaming market By Aneesah Kabba Kamara Amy Cole The Competition and Markets Authority (CMA) – the UK’s competition regulator – recently announced its intention to launch a market study...
08 Oct, 2021 Credits Due: the music industry’s new royalty and metadata campaign By Callum Granger ABBA’s Bjorn Ulvaeus unveiled the Credits Due Campaign on 21 September, which seeks to combat the metadata issue in the music industry so...
30 Jun, 2021 New Copyright Legislation in the EU – Towards a New Media and Tech Landscape? By MediaWrites Editorial 7 June 2021 was the date by which Member States were required to implement the EU’s DSM Directive, an ambitious effort aimed at...
02 Apr, 2021 Court of Appeal addresses hyperlinking By William Wortley Phil Sherrell The Court of Appeal on Friday handed down its decision in Warner & Sony v TuneIn, a test case on hyperlinking on appeal from the High...
22 Mar, 2021 Rock ‘n’ wear a mask – Flemish festival organisers to receive financial support By Baptist Vleeshouwers Will the 2021 Festival Season take place as normal? Probably not. As the COVID-19 pandemic maintains its grip on life, uncertainty...